Is even the apt word-from which trust, loyalty, and love have been removed, and The final Interview, all the others describe relationships-if “relationships” Rhetorically manipulative writing that takes no interest in the reader exceptĪs a mirrored other to perform before and benefit from.Ĭoncern in his depiction of the relationships in Brief Interviews consists precisely in this lack of appreciation Gender objectification become subtly and accretively associated with postmodern, “hideous” men’s seduction strategies, psychological rationalizations, and Is especially noticeable in the “Brief Interviews” sequence that provides the Tropes, or figures “erotic,” sexual relationships in his narratives asĬorrelatives for the author-reader relationship, where the writer is genderedĪs male and the reader as female. However, this agenda is not just ethical but also aesthetic one that,įollowing Lewis Hyde’s championing of eros in the art transaction, often presents Interview of 1991, and, most recently, the bio-pic The End of the Tour. Of Empire Goes Its Way,” various interviews, especially the Larry McCaffery

This all over his oeuvre, including in “E Unibus Pluram,” “Westward the Course Is to make the world common, to create commonplaces” (Levinas, Totality andīy now, it is a critical commonplace that Davidįoster Wallace’s work prioritizes the establishment of an intimate, sincere To the general, because it offers things which are mine to the Other. Language is universal because it is the very passage from the individual

To him across the world of possessed things, but at the same time to establish,īy gift, community and universality. “To recognize the Other is therefore to come

Conversations with hideous men